I’m currently reading Bret Easton Ellis’ Glamorama, his 1998 novel about a very good looking model living in New York City. I don’t think in my entire life have I been so bombarded with pop culture, and yet, the novel probably doesn’t even come close to touching on the real celebrity and cultural saturation I’m exposed to on a daily basis. I’m far from finished the novel, and I haven’t even hit the midpoint, so I’d appreciate no spoilers from this point on but I can’t help wondering if any film has successful captured the anarchy, lifelessness and over-saturation of celebrity and brand culture. I can think of some filmmakers who come close, in one way or another, but none who do it with the viciousness and skill of Ellis.
Two names do come to mind, Quentin Tarantino and Richard Kelly. Tarantino’s oeuvre is unfortunately too limited to really touch on what I am referring to, though I think he is capable of what I’m searching for. Death Proof especially brings Tarantino’s favoured classic throwbacks into a candy coloured 21st century, porn-ification and girl power coming face to face. Richard Kelly, most notably in Southland Tales, probably comes closest to achieving a kind of over-saturation of shallow material culture, but lacks all of the artistry, violence and comedy that Ellis is so good at.
From what I can tell, Ellis may be the closest we have to an epic poet for an era. His vision may be limited, but it is focused on the central “ideological” founding of most of our lives. I remember once doing a brief, mostly un-memorable, project on the poet Ezra Pound, who had attempted and failed to write an epic poem about the era he lived in. At its core, an epic poem is not just a piece of art, but it is an instructional pamphlet on the ways of life and values of a particular culture. Pound found the globalized, capital obsessed 20th century impossible to really pin down, and he never completed his piece (which was focused almost entirely on money), but maybe Ellis comes close. If there is one thing that even Ellis’ detractors can agree on, is his rare ability to evoke and capture an era, even if it is largely negative.
Personally, though there are certainly a lot of problematic ideas and interpretations associated with post-modernism, would argue the necessity of a lot of its artistic “tools”, in reflecting our modern era. For a film or any piece of art to truly capture or reflect our modern culture, and still be critical of it, I cannot see how you could avoid or ignore elements of pastiche, collage and referencing. To ignore the intertextuality of the world that surrounds us is futile, even conversationally and in terms of connecting with each other, pop culture has taken the place of religion and ethnicity.
Of course, maybe it’s wishful thinking that any filmmaker could truly capture the insanity of Glamorama, or maybe we’ll have to wait several years down the road for some visionary to capture the work of another visionary. Film has a way of sometimes needing to catch up with fiction, and I’m not sure there exists a filmmaker who is insane or ambitious enough to tackle this pickle. Then again, American Psycho was made… and it’s a decent film.
Some inane questions:
- In an ideal world, who would you choose to adapt Glamorama?
- What film would you say is most reflective of our current way of life, at least in the sense of an epic poem… not only an accurate re-creation of our world, but one that embodies or even criticizes our values, etc. You can also set your own boundaries in terms of years, and location, if you so desire.